
After all this talk about starting a new project and getting an album created, I’ve made little progress in doing so. Most of my time spent on this has been simply listening to a pool of songs — songs I think are most interesting out of my hundreds of unfinished ideas and noodlings — in an effort to find a unifying sound. In the past, my albums have consisted of many different genres all crammed together, which certainly keeps things interesting but muddles my overall sound. Out of the 10 years or so I’ve been writing music, I’ve yet to latch on to a particular genre or sound. Sometimes I like the softer, more delicate sound of a lone acoustic piano while the very next hour, I may feel like hearing some crunchy drum n’ bass. This disparity has been a struggle to overcome everytime I begin work on a new album.
I’ve been told by many people who have listened to my music over the years that it’s clear I love writing drum n’ bass; those tracks seem to stand out to people. I haven’t taken those comments lightly. On top of that, I’ve recently been looking over stats on my oft forgotten page on ArtistServer.com that have really surprised me. I haven’t updated the damn page in over 2 years and during those 2 years I’ve unknowingly built some pretty sweet stats.
The Study Of Diabolix
Either streamed or downloaded 416 times in 2009 and 553 times in 2008.
Welcome Stranger
Either streamed or downloaded 750 times in 2009 and 1,740 times in 2008.
Lexicon
Either streamed or downloaded 1,182 times in 2009 and 3,044 times in 2008.
I don’t know where the heck all those listeners came from, but I won’t complain. Regardless, the important bit of information for me to take from all of this is the type of songs these are. Genres kind of bother me, especially when it comes to classifying my own music — I can never really tell what I should categorize as — but it’s safe to say that these 3 songs share a certain sound; for lack of a better term, I think “drum n’ bass” should suffice.
This little discovery has definitely influenced my decision to explore my drum n’ bass leanings more this time ’round. The sound I wish to achieve could probably be best described as dirty and raw. I really enjoy trying to produce filthy, more “natural” sounding creations that have more character and bite than my previous efforts. I get annoyed when my music sounds too sanitized and emotionless. To counteract this, I’ve steadily increased my usage of “humanizing” tools and techniques such as velocity variation, looser note/beat placement, more interesting and rare time signatures, and — of course — simulated guitar amps! In the coming weeks, I even plan to capture loads of “real world” sounds to tinker with, perhaps creating some nifty beats or strange aural backdrops.
With all that said, however, it’s going to be difficult letting go of some of my cleaner, more developed, non-drum-n’-bass tracks that I’ve grown to adore. This is what I see happening: these dance/electro/trance songs will likely get an obscene, face-melting makeover. I can imagine very little more fun than absolutely mauling an old song of mine and trying to put it back together again. I’m incredibly curious as to how this might turn out.
To end things off, I’ll leave you with one of my more recent (wonderfully unfinished) songs called “Sprites”. I’d really like to see some version of this track appear on the album, but it’s quite possible it’ll only happen if it gets the “dirty” treatment. We’ll just have to wait and see… Enjoy!
Sprites